Berkman Center Report on Digital Media

The Berkman Center's, Digital Media Project have released

"a new report assessing how the digitization of music and movies has transformed not only businesses but copyright law and the idea of intellectual property. The report -- Copyright and Digital Media in a Post-Napster World -- updates a foundational whitepaper, released originally in 2003, to reflect major areas of change. In addition to new lawsuits and proposed legislation, one of the major developments since 2003 lies in international policy changes. The White Paper includes an International Supplement that offers an overview of the most fundamental shifts."

John Palfrey, Donna Wentworth and Derek Slater were amongst the contributers.

Donna also pointed me at what she calls the book review to end all book reviews by Robert S. Boynton

"Who owns the words you're reading right now? if you're holding a copy of Bookforum in your hands, the law permits you to lend or sell it to whomever you like. If you're reading this article on the Internet, you are allowed to link to it, but are prohibited from duplicating it on your web site or chat room without permission. You are free to make copies of it for teaching purposes, but aren't allowed to sell those copies to your students without permission. A critic who misrepresents my ideas or uses some of my words to attack me in an article of his own is well within his rights to do so. But were I to fashion these pages into a work of collage art and sell it, my customer would be breaking the law if he altered it. Furthermore, were I to set these words to music, I'd receive royalties when it was played on the radio; the band performing it, however, would get nothing. In the end, the copyright to these words belongs to me, and I've given Bookforum the right to publish them. But even my ownership is limited. Unlike a house, which I may pass on to my heirs (and they to theirs), my copyright will expire seventy years after my death, and these words will enter the public domain, where anyone is free to use them. But those doodles you're drawing in the margins of this page? Have no fear: They belong entirely to you...

In December 2004, Google announced "Google Print," a project to bring millions of easily searchable, digitized books to the Internet. The project, which has already begun and may take a decade to complete, will further heighten awareness of our vexed relationship to intellectual property. After digitizing the entire holdings of Stanford and the University of Michigan libraries (as well as sections of the libraries of Harvard, Oxford and the New York Public Library), Google Print will search the texts of these books—although one will only be able to read the entire text of those works whose copyright has lapsed and are therefore in the public domain. As for copyrighted titles, one will be able to search their text for names and key phrases but won't be allowed to read the books themselves (a function like Amazon's helpful, but similarly limited, "Search inside this book" service). Instead, one will be directed to a library or bookstore where the book can be located.

As amazing an effort as Google Print is (creating nothing less than a virtual "universal library of knowledge"), its logical goal—giving readers full access to the entire contents of that library—will be undercut by our intellectual property laws. It is an inherently unstable situation, and it is only a matter of time before someone (Amazon? Random House?) develops software to link this vast cache of literature to a convenient print-on-demand service (for which the hardware already exists). When it becomes possible to hold an inexpensive, physical copy of one of Google's digitized titles in one's hands—but only if it was first published prior to 1923 and is therefore in the public domain—people will begin to understand the implications of having something so obviously beneficial (universal access to universal knowledge) tethered to laws from another era. Google Print may be the Trojan Horse of the copyright wars...

Boyle is one of the founders of "digital environmentalism," the movement that is fashioning a new understanding of what the public domain—the "commons," as Boyle and others have called it—might be. The great achievement of the environmental movement, from which Boyle draws inspiration, was its ability to convince a swath of the population—consumers and industrialists alike—that they all had a stake in this thing called "the environment," rather than just the small patch of land where they lived. Similarly, digital environmentalists are raising our awareness of the intellectual "land" to which people ought to feel entitled.

Digital environmentalism is a two-pronged movement, with one group raising the awareness of the cultural stakes of intellectual property among everyday citizens, and the other pressing for legislative and legal change. The difference between the two is one of emphasis, with each participating in the battles of the other. Neither are anarchists or utopians; rather, both perceive of themselves as conservatives in the traditional sense of the term."

Well worth reading the entire piece. Terrific analysis.